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The relationship that Man maintains with objects
tends to have a greater important than that which he maintains
with his fellow-beings. In fact, this relationship tends to
be reduced to the unavoidable minimum. It still manages to
occupy a small space when a human intermediary between man
and object cannot be totally supplanted.
Beyond this, Man too often lets himself be
drawn into the fringes where his rapport with objects and
the natural environment becomes essentially commercial, productivist
and consumerist; as is, therefore, the rapport with his seeming
fellow-beings.
L'image du perdreau hante le
taillis |
X Pies en ligne |
Lâcher de mille pies sur
la lande irlandaise ( 2002) |
Using divers types of intervention, I propose
a playful subversion of this relationship with objects and
the environment that my intervention restores to a poetic,
humoristic, aesthetic or enigmatic dimension of truth.
Quelque part dans la forêt
profonde, une chaine de longueur incroyable
In the "Opéra de marée "
one market-day morning a small mountain town is the site of
a crazy demonstration. This brings about the support of the
population who sign a petition to defend a fishing port that
exists only in the slogans of the demonstrators.
The " musée hystéromobile
", presents objects accompanied by scholarly commentaries
that (contrary to all appearances) belonged to R.L. Stevenson.
Certain say that these objects were collected by a descendant,
supposedly the issue of a Lozerian romance of the author of
" Travels with a donkey in the Cevennes ".
K-way de Stevenson
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